Early Works colour but they take on an

but they take on an independent existence as new textural realities – as if to speak of a material world that we can never fully know

she dances on Jackson presents a conversation

This camera

With I Want to Live Innocent

When Wendy Ewald arrived in the heart of the Appalachian Mountains in 1975

Early Works colour but they take on anAn eccentric scrapbook documenting Ivars Gravlejs schooldays in Latvia during the 1990s. Aged 11, Gravlejs acquired a camera, soon deployed in unrestrained rebellion against authority the small state of the school. Gravlejs writes, I often felt nauseous before going to school because of the humiliation that I faced from my teachers. The only way to survive school was to do something creative to take pictures and make movies. Early Works satirises of